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Dika Ofoma

January 1, 2026

Our Top Stories of 2025

Longform Profiles on Wole Soyinka and curator Chude Jideonwo, a feature on South African poetry, an essay on an Oscar-winning film, interviews with indie filmmakers, and more: the defining stories of our fifth year.
Otosirieze
Taiwo Egunjobi - The Fire and the Moth

May 19, 2025

In His Short Films, the Drama Is in the Mundane

Guided by his “Igbo awakening,” Dika Ofoma sets his brief features — God’s Wife, A Quiet Monday, and A Japa Tale, among them — in southeastern Nigeria, with characters, often women, whose day-to-day lives, he argues, are “interesting enough.”
Victor Ebubechukwu Orji
Dika Ofoma by Rachel Seidu

January 1, 2026

Taiwo Egunjobi - The Fire and the Moth

Our Top Stories of 2025

Longform Profiles on Wole Soyinka and curator Chude Jideonwo, a feature on South African poetry, an essay on an Oscar-winning film, interviews with indie filmmakers, and more: the defining stories of our fifth year.
Otosirieze

May 19, 2025

Dika Ofoma by Rachel Seidu

In His Short Films, the Drama Is in the Mundane

Guided by his “Igbo awakening,” Dika Ofoma sets his brief features — God’s Wife, A Quiet Monday, and A Japa Tale, among them — in southeastern Nigeria, with characters, often women, whose day-to-day lives, he argues, are “interesting enough.”
Victor Ebubechukwu Orji

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