Nigeria

June 24, 2025

Grief led Uwana Anthony to make his short film Everything Must End. His style is “a movement and a cause for change in our approach to pursuing knowledge.”

May 27, 2025

As founder of the Africa International Horror Film Festival (AIHFF), the first such platform in West Africa and second in the continent, Nneoha Ann Aligwe believes that the genre “allows us to confront” the “darkness within us.” And courage matters to her, hence her documentary Born Different.

May 19, 2025

Guided by his “Igbo awakening,” Dika Ofoma sets his brief features — God’s Wife, A Quiet Monday, and A Japa Tale, among them — in southeastern Nigeria, with characters, often women, whose day-to-day lives, he argues, are “interesting enough.”

May 13, 2025

Not wanting to be boxed in, Fatima Binta Gimsay moves from television to short films. Her work includes Fine Girls, Omozi, and Ijo. “The challenge on the indie side of things will always be money,” she said.

April 15, 2025

From father figures and bad sons to frustrated wives and fierce lovers: our second annual list of the film and TV performances that elevated stories in 2024.

March 25, 2025

Coming 12 years after her third novel Americanah, Chimamanda Ngozi Adichie’s vital, splintered return to longform fiction shows classes of womanhood. It demonstrates yet again her elegant, unmatched grasp of language. In some ways, it is also different from her previous novels.

March 18, 2025

From historical dramas to thrillers, our second annual list of Nollywood films and series that demonstrate coherence, vision, ambition, or consciousness.

March 15, 2025

Temidayo Makanjuola’s smartly cast action drama — with Ini Dinma Okojie and Doris Uzoamaka Aniunoh shining — is calibrated to today’s social media climate without ceding artistic integrity to it.

March 15, 2025

The rotating narration maintains an emotional scaffold in Bidoun Stephen’s drama of childlessness, but the limited series stutters with plot inconsistencies.

March 15, 2025

Taiwo Egunjobi’s direction keeps this thriller open-ended, and his visual style is solid.

March 15, 2025

Akorede Azeez’s portrait of grief in tough times is grounded by a career-best turn from Doris Uzoamaka Aniunoh.

March 15, 2025

Bolanle Austen-Peters’ biopic of the great activist is almost redeemed by a few scenes and a split in chronology.

February 27, 2025

Releasing the third annual compilation of the only bestseller list in Nigerian literature: comprising the Top 100 books of the year, alongside the Top 50 in fiction, nonfiction, poetry, self-published, and children’s books.

February 4, 2025

Working from fragments, the reclusive poet led a wave of young Nigerian voices situating the self and mental states. Now his “schizo poetry” is evolving, drawing from Igbo cosmology.

January 9, 2025

The documentary This Is Love shows Nigerians who “live beautiful love stories in a place where the love they share is taboo.” After a Best LGBT Feature win at Brazil’s Bahia Independent Cinema Festival, director and co-producer Victor Ugoo knows that “distribution seems to be the hardest part of filmmaking.”

December 9, 2024

Godwin Harrison’s “advocacy-led” HUG Media Concept is “about using cinema to address issues.” His new film Ima’mi is based on his life as an Efik prince who was outed as gay.

December 6, 2024

In an era of unearned hype, the novelistic short stories of God’s Children Are Little Broken Things established him as a major talent, earning him the Dylan Thomas Prize. But as potent as fiction is in combating queer erasure, he believes in the supplement of living openly.

December 5, 2024

A trio of young filmmakers banded together as the Surreal16 Collective, to resist Nollywood clichés. At their festival, Michael Omonua, C.J. “Fiery” Obasi, and Abba T. Makama curate a haven for unorthodox filmmakers.

June 24, 2025

Grief led Uwana Anthony to make his short film Everything Must End. His style is “a movement and a cause for change in our approach to pursuing knowledge.”

May 27, 2025

As founder of the Africa International Horror Film Festival (AIHFF), the first such platform in West Africa and second in the continent, Nneoha Ann Aligwe believes that the genre “allows us to confront” the “darkness within us.” And courage matters to her, hence her documentary Born Different.

May 19, 2025

Guided by his “Igbo awakening,” Dika Ofoma sets his brief features — God’s Wife, A Quiet Monday, and A Japa Tale, among them — in southeastern Nigeria, with characters, often women, whose day-to-day lives, he argues, are “interesting enough.”

May 13, 2025

Not wanting to be boxed in, Fatima Binta Gimsay moves from television to short films. Her work includes Fine Girls, Omozi, and Ijo. “The challenge on the indie side of things will always be money,” she said.

April 15, 2025

From father figures and bad sons to frustrated wives and fierce lovers: our second annual list of the film and TV performances that elevated stories in 2024.

March 25, 2025

Coming 12 years after her third novel Americanah, Chimamanda Ngozi Adichie’s vital, splintered return to longform fiction shows classes of womanhood. It demonstrates yet again her elegant, unmatched grasp of language. In some ways, it is also different from her previous novels.

March 18, 2025

From historical dramas to thrillers, our second annual list of Nollywood films and series that demonstrate coherence, vision, ambition, or consciousness.

March 15, 2025

Temidayo Makanjuola’s smartly cast action drama — with Ini Dinma Okojie and Doris Uzoamaka Aniunoh shining — is calibrated to today’s social media climate without ceding artistic integrity to it.

March 15, 2025

The rotating narration maintains an emotional scaffold in Bidoun Stephen’s drama of childlessness, but the limited series stutters with plot inconsistencies.

March 15, 2025

Taiwo Egunjobi’s direction keeps this thriller open-ended, and his visual style is solid.

March 15, 2025

Akorede Azeez’s portrait of grief in tough times is grounded by a career-best turn from Doris Uzoamaka Aniunoh.

March 15, 2025

Bolanle Austen-Peters’ biopic of the great activist is almost redeemed by a few scenes and a split in chronology.

February 27, 2025

Releasing the third annual compilation of the only bestseller list in Nigerian literature: comprising the Top 100 books of the year, alongside the Top 50 in fiction, nonfiction, poetry, self-published, and children’s books.

February 4, 2025

Working from fragments, the reclusive poet led a wave of young Nigerian voices situating the self and mental states. Now his “schizo poetry” is evolving, drawing from Igbo cosmology.

January 9, 2025

The documentary This Is Love shows Nigerians who “live beautiful love stories in a place where the love they share is taboo.” After a Best LGBT Feature win at Brazil’s Bahia Independent Cinema Festival, director and co-producer Victor Ugoo knows that “distribution seems to be the hardest part of filmmaking.”

December 9, 2024

Godwin Harrison’s “advocacy-led” HUG Media Concept is “about using cinema to address issues.” His new film Ima’mi is based on his life as an Efik prince who was outed as gay.

December 6, 2024

In an era of unearned hype, the novelistic short stories of God’s Children Are Little Broken Things established him as a major talent, earning him the Dylan Thomas Prize. But as potent as fiction is in combating queer erasure, he believes in the supplement of living openly.

December 5, 2024

A trio of young filmmakers banded together as the Surreal16 Collective, to resist Nollywood clichés. At their festival, Michael Omonua, C.J. “Fiery” Obasi, and Abba T. Makama curate a haven for unorthodox filmmakers.

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