Books

Releasing the third annual compilation of the only bestseller list in Nigerian literature: comprising the Top 100 books of the year, alongside the Top 50 in fiction, nonfiction, poetry, self-published, and children’s books.
Working from fragments, the reclusive poet led a wave of young Nigerian voices situating the self and mental states. Now his “schizo poetry” is evolving, drawing from Igbo cosmology.
From Chimamanda Ngozi Adichie, Laila Lalami, and Goretti Kyomuhendo to Tochi Eze, Chisom Okafor, Itiola Jones, and Adedayo Agarau: the anticipated books of 2025.
As Series Editors of Global Black Writers in Translation, Vanessa K. Valdés, Anette Joseph-Gabriel, and Nathan H. Dize know that “Black literature is the least translated.” In a mostly white field, the long histories of Afro-diasporic, Caribbean, Spanish, French, and Portuguese erasures inform their work.

New Writing & Excerpts

Politicking and ideological clashes take centre stage in Edward Berger’s papal succession drama Conclave, a frontrunner for Best Adapted Screenplay at the Academy Awards. But it is in the arc of its African cardinal that the film sets a damaging narrative.
20.35 Africa Vol. VII, guest-edited by Kwame Opoku-Duku, is introduced by managing editor Precious Okpechi: “A sense of belonging permeates the poems in this anthology, an acceptance of one’s place in a flawed world.”
Morality as an uncanny city in Teju Cole’s second novel: “And if we are to think of music as a sort of shield for him, then we are invited to think of his dead friend as having once played that same role in his life.”
As conversations sethe about the “death” of Nigerian literature and the loss of authenticity in its poetry, a writer counters for the growing japa-MFA subculture: “I call them the Nomadic Generation because of their complication of nationalism.”

Book Reviews

Nikki May

3.5/5

Abubakar Adam Ibrahim

3.7/5

Emmanuel Iduma

3/5

Amatoritsero Ede

2.5/5

Will Jawando

3/5

Arinze Ifeakandu

5/5

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The Stone Breakers

Emmanuel Dongala

In the fifth novel by Dongala, a major figure in Francophone African literature, Congolese women, working as stone crushers at a gravel pit, demand higher wages.
Fatin Abbas - GHOST SEASON

Ghost Season

Fatin Abbas

This sweeping tale of the breakup of Sudan explores the porous and perilous nature of borders ― national, ethnic, or religious ― and the profound consequences of crossing them.

Gaslight

Femi Kayode

The second novel in a mystery series following investigator Taiwo Philips, who tries to crack a conspiracy around a religious leader accused of murder.

Whites Can Dance Too

Kalaf Epalanga

A reflection on and celebration of Angolan music, the intertwining of cultural roots, freedom, and love.

Film & TV

The documentary This Is Love shows Nigerians who “live beautiful love stories in a place where the love they share is taboo.” After a Best LGBT Feature win at Brazil’s Bahia Independent Cinema Festival, director and co-producer Victor Ugoo knows that “distribution seems to be the hardest part of filmmaking.”
Godwin Harrison’s “advocacy-led” HUG Media Concept is “about using cinema to address issues.” His new film Ima’mi is based on his life as an Efik prince who was outed as gay.
A trio of young filmmakers banded together as the Surreal16 Collective, to resist Nollywood clichés. At their festival, Michael Omonua, C.J. “Fiery” Obasi, and Abba T. Makama curate a haven for unorthodox filmmakers.
Hopping between genres, his scores are heard in almost every major recent box office and streaming success, including A Tribe Called Judah, Jagun Jagun, Gangs of Lagos, and Battle on Buka Street. “I’ve been trusted by filmmakers,” he said.

Culture & Industries

Her selection — with LeBron James, Colman Domingo, Lewis Hamilton, A$AP Rocky, Pharrell Williams, and Anna Wintour as chairs — coincides with the rollout of her forthcoming fourth novel Dream Count.
From a groundbreaking Profile of Cardinal Arinze to a feature on Liberia’s lack of a literary bookstore, to the story of a novelist-cum-soldier: these stories of artists and industry shapers in African literature, Nollywood, and culture defined our year.
Staged by the Malawian artist Mirriam Francesca Nkosi, with sponsorship by Africa No Filter, it “focused on preserving, celebrating, and documenting these native plants and the traditional knowledge associated with them.”
Hosted by the East African activist Name Redacted, with sponsorship by Africa No Filter, “conversations like these provide a counter-narrative to predominant Western narratives of ‘coming out.'”

“An ambitious new magazine committed to African literature”

— Chimamanda Ngozi Adichie

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