Teju Cole Is on the July 2021 Cover of Open Country Mag

In the first longform profile of him in an online African publication, we follow the great writer’s reinventive journey in fiction, nonfiction, and photography, to mark the 10th anniversary of his debut novel Open City.
Open Country Mag Reissues Cover of Teju Cole
Teju Cole Is on the July 2021 Cover of Open Country Mag

I began reading Teju Cole’s debut novel Open City in late 2015, three years after I decided to write seriously. I was doing my National Youth Service then, in the small town of Akure in southwestern Nigeria, far away from the southeast where I was born, raised, and schooled, and my new aloneness offered time for reflection. Because I loved taking walks, as a way of release, the novel felt like a companion, and he became one of my primary prose influences.

When I finally finished the book in early 2016, my mind leapt and I felt myself soar. It is a galvanizing feeling that I have heard other people describe about Open City, a feeling one often lacks language for. Yet one thing was clear: Teju had broken open a door where, before him, we saw a wall. So I began an essay about the book, to mark its fifth anniversary (how I love anniversaries, the remembering of impact). I did not finish the essay. In fact, I did not go beyond one page because I thought I was not ready, did not command enough knowingness for what I felt.

It is now five years since my indecision, and ten years since the novel came out in 2011. Little over a month after Open Country Mag launched last Christmas, Teju agreed to be on our cover, and we had a Zoom interview in March.

TEJU COLE IS ON THE JULY 2021 COVER OF OPEN COUNTRY MAG. IMAGE CREDIT: OLIVER ABRAHAM. COVER DESIGN: OPEN COUNTRY MAG.
FIRST COVER: Teju Cole is on the July 2021 cover of Open Country Mag. Photo by Oliver Abraham. Cover design: Open Country Mag.
Teju Cole Is on the July 2021 Cover of Open Country Mag. Reissued Cover.
REISSUED COVER: Teju Cole Is on the July 2021 Cover of Open Country Mag. Reissued Cover.

As with almost every major writer of his generation and the ones before it, this is the first longform profile of Teju in an online African publication. And because he has had such a distinctive career, there is so much, beyond the confines of academia, that hadn’t been said about his work in our continental context. It is not only that he has produced seven books of fiction, nonfiction, and photography in the last 10 years—eight in the last 14—it is that he inaugurated a new possibility, a new template, in particular for African writers.

The story we eventually opted to publish is a foundational one: a condensed literary history that traces how Teju Cole came to occupy this singular, reinventive space entirely of his own making. It is, at this point, the clearest exemplar of Open Country Mag’s mission of re-contextualizing developments in literary culture. It is something that mostly takes place in American and British magazines, and we want to bring all of that back to an African platform.

It is six months since our first two covers, Tsitsi Dangarembga for December 2020 and Maaza Mengiste for January 2021. Teju was initially scheduled for April, until the cover story demanded more. We will happily take all the time in the world if it means getting it right enough. The thrill, for me, is that these stories now exist, on a platform created specifically for them.

I am still almost flustered that Teju Cole is on the cover of Open Country Mag. It is a privilege to partake in the motivation he provides.

COVER STORY: “How Teju Cole Opened a New Path in African Literature

...

Otosirieze, Editor of Open Country Mag

One Response

Leave a Reply

Your email address will not be published. Required fields are marked *

Recommendation

Before his manuscript won the 2022 Sillerman Prize, Tares Oburumu faced seemingly interminable hardship in his personal life. “The act of survival, for me, is a lot more inspirational than anything,” he said, “trying to put yourself in a place where there’s no place for you.”
The inaugural Oxbelly Writers Retreat is led by Program Director Chigozie Obioma and includes Kwame Dawes among the instructors.
The first essay collection from the PEN Pinter Prize winner and Booker Prize-nominated novelist: “That which is dead does not feel. We are not dead while we protest.”

“An ambitious new magazine that is committed to African literature"

- Chimamanda Ngozi Adichie

ESSENTIAL, IN-DEPTH STORIES IN AFRICAN LITERATURE: PROFILES, FEATURES, REVIEWS, EVENTS, OPPORTUNITIES, & CONVERSATIONS DELIVERED TO YOUR INBOX.

We respect your privacy and will never send you Spam or sell your email. 

Top