Interviews

Godwin Harrison’s “advocacy-led” HUG Media Concept is “about using cinema to address issues.” His new film Ima’mi is based on his life as an Efik prince who was outed as gay.

The New York Times bestselling author of The Girl with the Louding Voice and And So I Roar on her writing process.

Staged by the Malawian artist Mirriam Francesca Nkosi, with sponsorship by Africa No Filter, it “focused on preserving, celebrating, and documenting these native plants and the traditional knowledge associated with them.”

Hosted by the East African activist Name Redacted, with sponsorship by Africa No Filter, “conversations like these provide a counter-narrative to predominant Western narratives of ‘coming out.'”

Created by the Nigerian artists Vetum Galadima and Amaka Obioma, with sponsorship by Africa No Filter, it “combines museum technology and art direction to create a perspective for art preservation.”

Crafted by the Nigerian designer Izuchukwu Udokwu, with sponsorship by Africa No Filter, it weaves fashion, music, and poetry to show that “you don’t have to create physical pieces that would probably end up in the waste bin and contribute to the wastes in our environment.”

Booker Prize winner Ben Okri, author of The Famished Road, and Ghanaian rapper Delasi, with the EP The Audacity of Free Thought, in a deep, rare reflection on storytelling, art forms, and their quests for origins.

Hopping between genres, his scores are heard in almost every major recent box office and streaming success, including A Tribe Called Judah, Jagun Jagun, Gangs of Lagos, and Battle on Buka Street. “I’ve been trusted by filmmakers,” he said.

On his debut album Diary of a Loverboy, the Nigerian singer and actor channels frustration, anger, and love.

Director, producer, and screenplay writer Ebuka Njoku and producer Lorenzo Menakaya on their professional journeys and the making of their Netflix No. 1 hit.

In Between Starshine and Clay, the novelist interviews Toni Morrison, Michelle Obama, and Wole Soyinka, among other major Black figures in the arts and politics. “One of the things that was the most surprising was the actual extent to which they forged their own path,” she said.

In two acclaimed and bestselling novels, the British Ghanaian writer and photographer has enlarged his terrain from love and art to family and memory. “I wanted to take my sentences past this thing of knowledge and more toward feeling,” he said. “It feels like a progression in the questions I’m asking, specifically around identity and Blackness, but, really, around love.”

How to Write About Africa gathers vivid, powerful essays and fiction by the late Kenyan icon. Its editor Achal Prabhala talks compiling it, a second posthumous book, and an uncompleted novel. “Much is made of what he did for other writers, but it was his own writing that did it for me,” he said.

Alhaji Waziri Oshomah fused Highlife, local folk styles, and Western pop into songs of positivity in Auchi, Nigeria. When New York label Luaka Bop released The Muslim Highlife of Alhaji Waziri Oshomah in its World Spirituality Classics series last year, we spoke to musician and label about his artistry.

As Paramount’s Country Director for Nigeria, Bada Akintunde-Johnson wants to model a new mode of business and creative leadership. “You can’t exert the highest possible positive influence on people without connecting with them on a deep personal level,” he said in this extensive interview — the first in our Leaders of Industries Series.

In this excerpt from Sarah Ladipo Manyika’s Between Starshine and Clay, the Nobel laureate and his friend Henry Louis Gates, Jr. remember another friend: the late Toni Morrison.

The Enugu-based hub, whose exhibitions, screenings, and lecture series have drawn 7,000 visitors, is, executive director Iheanyi Igboko says, “grooming a generation of young people who are not only grounded in their history and culture but proud of their Igbo identity.”

“Love is a good point for telling stories because it brings out all the other emotions of pain, happiness, joy, euphoria, and sadness,” she said of the warmly received Ndani TV web series. “And it’s what our audience—a lot of them—want in their lives.”

Collins Okoh, co-writer of the ₦636 million box office juggernaut starring Funke Akindele, tells us about his research of ghetto culture and the need for creative freedom for screenwriters. “I never thought that a gun would be referred to as ‘English’ until I started writing the movie,” he said.

Chinny Ukata and Astrid Madimba on how their “conversational approach to the book and podcast allows us to reach audiences who wouldn’t typically engage with such content.”