Chibuihe Achimba & Sara Elkamel to Guest-edit 20.35 Africa Poetry Series’ Vol. 5

The series is now open to submissions.
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Sara Elkamel by Sima Diab

Sara Elkamel by Sima Diab.

Since its inception in 2017, the 20.35 Africa collective has annually published an electronic anthology of contemporary African poetry. The series has sought, over the years, to reshape the existing views of African poetry, to rethink the ways that African poetry, like poetry from other regions of the world, uses language to portray experiences and thoughts—a creative outline of how poets view and interact with their internal selves, their immediate environment, and the world at large. As a resource institution, we established two projects: the “Conversations” series and the “New Poets” series.

Our mission to canonize African poetry has been described by Phillipa Yaa de Villiers as “serious, strident, playful—a promising, powerful clutch from the next generation of greats.”

Across four volumes, our anthology series has featured works both from poets living in the continent and in the diaspora, prominent and emerging voices in the scene, including Saddiq Dzukogi, Victoria Adukwei Bulley, JK Anowe, Megan Ross, Dalia Elhassan, Clifton Gachagua, Hiwot Adilow, Akosua Zimba-Afiriyie Hwedie, Nour Kamel, Rabha Ashry, and Ernest Ogunyemi, among others.

The fifth volume will be guest-edited by Sara Elkamel and Chibuihe Obi, alongside the collective’s editors: Ebenezer Agu, I.S. Jones, and Precious Okpechi.

Sara Elkamel is a poet and journalist living between Cairo and NYC. She holds an MA in arts journalism from Columbia University and an MFA in poetry from New York University. Her poems have appeared in Poetry Magazine, The Yale Review, MQR, Four Way Review, The Cincinnati Review, The Adroit Journal, Poet Lore, Poetry London, Best New Poets 2020, and Best of the Net 2020, among others. She is the author of the chapbook Field of No Justice (African Poetry Book Fund & Akashic Books, 2021).

Chibuihe Obi Achimba.
Chibuihe Obi Achimba.

Chibuihe Obi Achimba grew up in Southeastern Nigeria. He is a poet, essayist, and founding editor of Dgëku Magazine. He served as the 2019 Harvard University Scholar-at-Risk Fellow, a Visiting Poet in its English Department, and the 2020 Summer Visiting Artist at the Oregon Institute for Creative Research. He has been awarded grants by PEN America, PEN International, Freedom House, and St. Botolph Club Foundation, which named him one of the 2021 Emerging Artists in New England. His writing has been published or is forthcoming in The New York Times, The Paris Review, The Harvard Review, Poet Lore, Foreign Policy, and Guernica, among others. In August 2021, he was appointed to the editorial board of Transition Magazineat the Hutchins Center, Harvard. He is currently completing an MFA degree in Poetry at Brown University.

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Submission Guidelines

  1. The anthology is open to African poets who are between the ages of 20 (or who would be 20 by the time of publication) and 35.
  2. Contributors published in the fourth volume are NOT eligible for this volume, but may submit for subsequent volumes.
  3. Submissions can cut across different themes and each contributor may send three poems ONLY. Please send us your best poems, properly edited.
  4. The anthology is ONLY for African poets. We define an African poet as someone born in Africa, or whose parents (at least one) are African, or someone who currently lives in Africa and has done so for at least 10 years.
  5. Poets who have had a full-length book or a chapbook or pamphlet published in electronic or print format can submit. Poets who have not been published in any form or on any literary forum/outlet, and fall into the acceptable age bracket, are encouraged to submit as well.
  6. Only poems written in English will be accepted. Works translated into English from any African language may be submitted, but they must be accompanied by their original.
  7. There is no stipulation as to the content of submitted poems, but no poem should exceed 40 lines in length.
  8. Identifying information, including names of poets, addresses, phone numbers, publication histories, should NOT be included in the manuscript or in the body of the email. Submit through your personal email address and include the same email address on the last page of your manuscript. Submissions will be judged solely on merit.
  9. We accept simultaneous submissions, but please notify us immediately if any of your poems is accepted elsewhere.
  10. All entries must be submitted in a SINGLE WORD DOCUMENT, typed in TIMES NEW ROMAN, font 12, single spaced, and sent via email only to the 20.35 Africa Team at submissions@2035africa.org.
  11. The email subject should read “20.35 AFRICA SUBMISSION.”
  12. Submissions must be written in black ink. No colours.
  13. Each poem must have a title.
  14. Poems must be the original work of the contributor.
  15. Deadline for submissions is midnight (UTC+01:00) of 24th April 2022.
  16. We hope to respond to every submission by July 2022. However, there may be delay in response time pending the editors’ final decision.
  17. We will not entertain any inquiries concerning submission status until after July 2022.
  18. Accepted contributors must be available at all times, for necessary editing of their works and correspondence that may follow.
  19. All inquiries must be sent to info@2035africa.org. Inquiries sent to the submissions email address will not be read.
  20. Except on proven cases of plagiarism or when a piece we have published violates any form of human rights, we do not take down works once they have been published in our anthology or on our website.
  21. By submitting your work to us, you agree to give us first serial rights of said work, which shall revert to you upon publication. If your work is republished elsewhere, kindly acknowledge that it first appeared on 20.35 Africa.
20.35 Africa
At 20.35 Africa, we are committed to a gradual but steady promotion of contemporary African poetry and poets. Our main objective is to grow in being a resource institution for African poets, targeting the needs of both the poets in the center and those at the margin of the scene. To establish the structures currently lacking for the African poet, such as prizes, masterclasses, fellowships, workshops, residencies. To rethink the existing processes of the production and dissemination of contemporary African poetry and come up with innovative ideas for greater efficiency. To utilize digital tools and other forms of new media in capacity building for contemporary African poetry and poets.

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  1. Pingback: Ebenezer Agu on 20.35 Africa & Curating New Poetry | Open Country Mag

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