December 2021 will mark tenth anniversary of Bakwa Magazine. From inception in 2011 to currently being at the forefront of African literary culture, our journey is a remarkable one.
Created as a response to the dearth of critical and creative writing in English in Cameroon—which dearth turned into gaping void with the discontinuation of similar, preceding initiatives—Bakwa Magazine was an impetuous project. There was no long-term thought, other than the need for the magazine to exist, to fill the void, to provide a platform where writing and literary criticism from Cameroon or by Cameroonians, as well as original and experimental writing, irrespective of country of origin, could exist and thrive.
This impetuousness found further validation as early as Bakwa 02: Conversations (2012), where Joyce Ashuntantang, in an interview by Dibussi Tande, emphasised the importance of owning our narratives. She posited: “As long as foreign publishers remain the midwives of our stories, they will keep determining the nature of these stories.” Coming at a pivotal moment for the magazine—when we were rethinking our direction—the relevance of this statement could not (and still cannot) be overlooked when the “legitimisation” of African literary output was and is still usually dictated in New York, London, or Paris.
In her keynote speech at the third Abantu Book Festival in Soweto, South Africa, Bibi Bakare-Yusuf, co-founder and publishing director of Cassava Republic Press, brilliantly sums up the relationship between telling our stories and owning the means of production in the following terms: “It is not enough for us to say we must tell our own stories, if we don’t equally think or talk about the enabling infrastructure that supports the generation of those stories, the infrastructure that enables the circulation of ideas and the flow of knowledge.”
It therefore comes as no surprise that Bakwa’s growth has been underpinned by the quest to contribute to the emergence of an enabling infrastructure in our context. This quest has birthed several projects and initiatives such as:
- the Bakwa Magazine Reading Series, a public event that brings together a wide selection of writers, translators, editors and poets, and connects them to various local communities by hosting events in different cities;
- BakwaCast, a periodic, conversational, intimate, and introspective living archive that includes episodes of the Bakwa Magazine Reading Series and looks at interesting people—from artists, curators, writers, techies, performers, to policy makers—and what makes them tick.
In the same vein, the success of the magazine, as well as the lack of adequate publishing structures, led to the creation in 2018 of Bakwa Books, an independent publishing house, which champions fiction, creative nonfiction, and translation. By foregrounding translation as a crucial part of our vision, we further interrogate hierarchies of language—through translations or the lack thereof—in our projects and engage in remapping literary translation practice by prioritising African audiences as part of efforts towards reclaiming our own stories.
Bakwa Books, thus, is a continuation of Bakwa Magazine’s mission, going beyond the latter by thinking radically about the whole production process and the possibilities of approaching publishing ethically, while still being able to circumvent monolithic models by exploring alternative models of distribution.
With the foregoing, it is obvious that we’ve always been fascinated with ways of leveraging the opportunities afforded by technological advancements to curate and publish stories across multiple platforms. This, perhaps, explains the fluidity that characterises projects by Bakwa, from the written word online to podcasts and print.
Ultimately, these projects and initiatives are a testament to our ever-evolving vision and approach, which has enabled us to move from filling the lacuna to engaging and shaping publics and networks of practice, as well as interrogating hierarchies of language through curated conceptual and collaborative projects.
Over the years, Bakwa has thus consistently published cutting-edge literary works from talented, innovative writers from Africa, the Black diaspora, and elsewhere. Our backlist boasts over 150 writers, including Imbolo Mbue, Yewande Omotoso, Florian Ngimbis, Yovanka Paquete Perdigao, Kalaf Epalanga, Dami Ajayi, Howard M-B Maximus, Pwaangulongii Dauod, Lebohang Mojapelo, Margarita Ríos-Farjat, Syl Cheney-Coker, Minna Salami, Bertille Mbarga, Nkiacha Atemnkeng, Mignotte Mekuria, Ucheoma Unwutuebe, and TJ Benson.
A number of the young writers published early by Bakwa have gone on to win significant prizes: Abiola Oni won the Guardian and 4th Estate BAME Short Story Prize in 2016; Bengono Esola Edouard, winner of the Bakwa Magazine Short Story Prize, won the Concours littéraire nationale jeunes auteurs 2017; Socrates Mbamalu was awarded the Saraba Nonfiction Manuscript Prize and longlisted for the Writivism Nonfiction Prize; Munachim Amah won the Writivism Short Story Prize 2017; Nkiacha Atemnkeng, runner-up for the Bakwa Magazine Short Story Prize, was longlisted for the Short Story Day Africa Prize 2019; and Howard Meh-Buh Maximus won the Morland Writing Scholarship in 2020.
These writers, both emerging and established, have been part of our journey from online to print—spanning ten issues—and our growth from a small digital literary mag to a print publication that is read around the world and has metamorphosed into a multimedia publishing structure, on the verge of launching its first imprint, Kuumba Books.
It’s been 10 years of a labour of love that has been as exciting and exhilarating as it has been challenging. There is an almost inexhaustible list of people without whom none of this would have been possible. However, we owe special thanks to: Kangsen Feka Wakai, Dibussi Tande, Nfor E. Njinyoh, Serubiri Moses, Harry Kale, Babila Mutia, Jack Little, David Shook, Madhu Krishnan, Ruth Bush, Georgina Collins, Ros Schwartz, Billy Kahora, Edwige Dro, Socrates Mbamalu, and Ntone Edjabe.
To celebrate this decade of disruption, we are hosting events, podcasts, and readings in Yaounde, London, and Berlin. Additionally, consolidated and recomposed back issues (issues 1-8) of Bakwa Magazine will be available for free, and issues 9-10 for sale in physical and eBook (stockists here) format. Finally, we will highlight selected pieces from each issue and reflect on the decade online and offline as well as organise social media giveaways. ♦
If you love what you just read, please consider making a PayPal donation to enable us to publish more like it.
More News from Open Country Mag
— The Sabi Prize, for Secondary School Students in Nigeria, Announces Inaugural Winners
— Leila Aboulela Receives 2025 PEN Pinter Prize, Names Stella Gaitano as International Writer of Courage
— Iheoma Uzomba Wins Glenna Luschei Prairie Schooner Award for Poetry
— Ngũgĩ wa Thiong’o, Great Kenyan Writer Who Centred African Languages, Dies at 87
— Jumi Bello’s Debut Novel Was Dropped for Plagiarism. New Details Show It’s Serial.
— Racism and an Unsolved Murder: American Novelist Delia Owens’ Past in Zambia Resurfaces
— Ladan Osman Accuses Filmmaker Joe Penney of Theft and Sexual Harassment
No One Covers African Literature and Film Like Open Country Mag
— Cover Story, September 2021: Chimamanda Ngozi Adichie Is in a Different Place Now
— Cover Story, July 2021: How Teju Cole Opened a New Path in African Literature
— Caleb Azumah Nelson on Small Worlds, Open Water, and Black Spaces
— Cover Story, March 2023: Rita Dominic‘s Visions of Character
— The Making of Mami Wata, Nigeria’s First Film to Premiere at Sundance
— The O. Henry Prize Series Opens to African Magazines (Exclusive)
— Binyavanga Wainaina‘s Great Scatter of Work (Exclusive)
— How Dakore Egbuson and Tony Okungbowa Traverse Trauma in YE!
— Writing Omo Ghetto: The Saga, Nollywood’s Highest Grossing Film of All-Time
— Cover Story, January 2021: Maaza Mengiste‘s Chronicles of Ethiopia
— Cover Story, December 2020: How Tsitsi Dangarembga, with Her Trilogy of Zimbabwe, Overcame
— With God’s Children Are Little Broken Things, Arinze Ifeakandu Garners Breakout Acclaim
— Cover Story, April 2022: The Next Generation of African Literature
