July 9, 2026

In “poems that refuse containment, that arrive in waves, splintering, alive,” 100 Deaf, Disabled, and Neurodivergent writers from around the world give grammar to the “illness” of being out of place with Ableist norms. The African poets are in dialogue with the malaise of memory and bodily unrest, a discourse still thin across the continent.

January 24, 2026

For our fifth annual 60 Notable Books of the Year list, we invited the literary culture critic Tolu Daniel as guest curator, to make 45 picks. He surveys “a prose landscape in search of quieter, more patient forms,” poetry “less a lyric refuge than a site of confrontation,” and “a shift towards visibility culture” where “books now circulate as events, images, and metrics long before they are encountered as texts.”

September 14, 2025

Of the eighth volume guest-edited by Sarah Lubala and Logan February, managing editor Precious Okpechi writes: “The way we express joy, the way our longings fold out of our skin, is skewed by the weight of customs.”

February 17, 2025

Politicking and ideological clashes take centre stage in Edward Berger’s papal succession drama Conclave, a frontrunner for Best Adapted Screenplay at the Academy Awards. But it is in the arc of its African cardinal that the film sets a damaging narrative.

September 18, 2024

20.35 Africa Vol. VII, guest-edited by Kwame Opoku-Duku, is introduced by managing editor Precious Okpechi: “A sense of belonging permeates the poems in this anthology, an acceptance of one’s place in a flawed world.”

April 9, 2024

Morality as an uncanny city in Teju Cole’s second novel: “And if we are to think of music as a sort of shield for him, then we are invited to think of his dead friend as having once played that same role in his life.”

August 17, 2023

As conversations sethe about the “death” of Nigerian literature and the loss of authenticity in its poetry, a writer counters for the growing japa-MFA subculture: “I call them the Nomadic Generation because of their complication of nationalism.”

August 5, 2023

20.35 Africa Vol. VI, edited by Nick Makoha and Safia Jama, is introduced by the series’ managing editor Precious Okpechi: “The poets understand that history evolves with us.”

August 2, 2023

Following The Theory of Flight and The History of Man, the Windham Campbell Prize winner concludes her City of Kings trilogy: “Her unsolved murder made what he needed to do now very difficult.”

March 9, 2023

The Women’s Prize-nominated and Caine Prize-winning author returns with her sixth novel, set in 1880s Sudan: “This is why she does not stop when she feels the sting. What sting?”

May 30, 2025

In the 78-year-old Guinean author’s 14th novel, translated by Ryan Chamberlain, names are history and memory is survival.

March 25, 2025

Coming 12 years after her third novel Americanah, Chimamanda Ngozi Adichie’s vital, splintered return to longform fiction shows classes of womanhood. It demonstrates yet again her elegant, unmatched grasp of language. In some ways, it is also different from her previous novels.

April 19, 2024

Entertaining and heart-wrenching, Nikki May’s sophomore novel is most fun when she draws parallels between Nigeria and England, with punchily rendered bits of cultural insight.

June 10, 2023

The magical realist delights of Abubakar Adam Ibrahim’s third novel.

March 16, 2023

In the private space of family and the public space of Biafra, a significant new memoir asks questions of loss and longing. But will the answers be enough?

January 13, 2023

There is a sharp memory laced with humor here, and an in-depth understanding of the issues at play.

September 12, 2022

“Without these men standing in for his father, he would have continued feeling ‘like I missed something only he could give me.’ This is a rich tapestry of the power of relationships in molding a precocious, restless kid who is black.”

June 14, 2022

“This book is lush with evocative passages. So real are the characters, you could almost reach out and touch them.”

“An ambitious new magazine committed to African literature”

— Chimamanda Ngozi Adichie

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