Wale Ayinla, a Nigerian poet, essayist, and editor, has won the 2020 Toi Derricotte and Cornelius Eady Chapbook Prize for his manuscript To Cast a Dream. In it, Ayinla deftly explores loss, grief, hope, and movement. The prize is “dedicated to the discovery of exceptional chapbook-length manuscripts by Black poets.” The finalists were Christopher Rose for Stage Dive, Alexa Patrick for Remedies for Disappearing, and kiki nicole for Autobiography of Boi Venus.
Ayinla wrote the poems in To Cast a Dream between 2018 and 2019.
“[The book] explores the concept of individual and communal loss during migration, and the unfortunateness of some of the illegal emigrations from Africa to Europe,” he told Open Country Mag. “The collection is a dialogue with history, memory and the uncertainties of times.”
In selecting the manuscript, Mahogany L. Browne wrote:
The collection, To Cast a Dream, serves as both eulogy and ode; to the water, to the land, and to the survival of voice. Song, Ocean, Skin, Lapis and Lift — these moments of liberation are the pulse of the poetry. And they beckon us closer, to the page and to ourselves. Who revels in the shine of this literary legacy? Wale Ayinla.
Ayinla will receive $500, publication with Jai-Alai Books in spring of 2021, and printed copies of the chapbook. Ayinla will also be part of a residency at The Writer’s Room at The Betsy Hotel in Miami, and will feature in a reading at the O, Miami Poetry Festival.
Wale Ayinla has work in Guernica, South Dakota Review, TriQuarterly, Rhino Poetry, Up The Staircase Quarterly, The Lit Quarterly, Cimarron Review, Ruminate Magazine, McNeese Review, Poet Lore, and elsewhere. He is a staff reader for Adroit Journal. His full-length manuscript, Sea Blues on Water Meridian, was a finalist for the inaugural Center for African American Poetry and Poetics (CAAPP) Book Prize.
“Even days after I got the email that I won the prize,” Ayinla told us, still in surprise, “I went back to confirm if it was real.”
In-depth Stories from Open Country Mag‘s The Next Generation Series
— Afabwaje Kurian Grows Her Gbagyi Roots
— In Great Grief, Mubanga Kalimamukwento Saw Zambia
— JK Anowe, a Confessional Poet, Confronts Himself
— The Prodigious Arrival of Arinze Ifeakandu
— Aiwanose Odafen‘s Duology of Womanhood
— Momtaza Mehri’s Fluid Diasporas
— The Overlapping Realisms of Eloghosa Osunde
— DK Nnuro Finds His Answers
— How Romeo Oriogun Wrested Poetry from Pain
— Suyi Davies Okungbowa Knows What It Takes
— Why Tobi Eyinade Built Rovingheights, Nigeria’s Biggest Bookstore
— Remy Ngamije on Doek! and the New Age of Namibian Literature
— Ebenezer Agu on 20.35 Africa and Curating New Poetry
— In Writing Cameroonian American Experiences, Nana Nkweti Crosses Genres
— Oghenechovwe Donald Ekpeki‘s Curation of African Speculative Fiction
— Logan February on Their Becoming
— The Cheeky Natives Is Letlhogonolo Mogkoroane and Alma-Nalisha Cele‘s Archive of Intentionality
— Cheswayo Mphanza on Intertextual Poetry and Zambia’s Moment
— The Seminal Breakout of Gbenga Adesina
— Keletso Mopai Owns Her Story and Her Voice
— Troy Onyango on Lolwe and Literary Magazine Publishing in Africa
— At Africa in Dialogue, Gaamangwe Joy Mogami Lures Out Storytelling Truths
— Khadija Abdalla Bajaber on Fantasy and the Character of Kenyan Writing
— TJ Benson Holds History and Hope